Self-Deceit (Roma), Francesca Woodman, (1977-78)
It has been a long time since I have posted on this blog. For me, this has always been a platform for expressing my creativity and although I am inherently and without question a creative person, my creative impulses have recently been more dominated by my academic ones. The reason for this is I am currently doing a Masters in Modern and Contemporary Art History at The Edinburgh University. I therefore spend most of my time reading, an impulse that has always been natural to me, but until now one I have never been able to nurture quite to this extent! Already, in the time since September, I feel I have gained so much knowledge and learnt so much. We are constantly learning in our day to day lives of course, but I feel so privileged to be able to dedicate this time to my specific field of interest. This university course, although incredibly challenging at times, is perfect; I get to combine my love of reading, art, history and writing in one.
Alongside this Masters, I am doing an Internship with The National Galleries of Scotland (NGS). Another creative outlet which allows me to express love of writing and research. Below therefore, I attach a link to one of my written texts which has been published on the National Gallery’s website. My focus was American photographer Francesca Woodman, b.1958. Although most of the works in the National Gallery’s collection are co-owned by Tate under the umbrella organisation of Artist Rooms (see more information here), there were five works in NGS’s collection which I had permission to write about. See link below for more (in order to view this essay, you must first scroll right to the bottom of the page and click on the ‘plus’ sign at the right hand side, adjacent to the ‘more about this artwork’):
See also my publications page for more.