The End is Nigh

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Catherine McLaughlin

So today marks the final day of Northumbria University’s Fine Art Degree Show. It all closes at 4pm so get yourself down to catch a final glimpse of all the amazing work on display. I will be doing my final performance in Gallery North at 2:30pm which is both exciting and unbelievable. It will also be my final performance in Newcastle (for the time being at least) as I will be moving to Edinburgh this summer – another wonderfully artistic city! Time for some exciting exploring in a new place, yet much to my delight I will still be relatively close to Newcastle and my much loved BALTIC on the Quayside. Following my work this year, I plan on taking a break from performance art and instead hope to  focus more on my research, writing and theory – with of course some practical thrown in here and there.

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Matthew Young & Nikki Lawson

I was delighted to meet up with Luke from Left Leg Gallery the other day who is interested in collaborating with me having seen some of my work and the Degree Show, so there are definitely some exciting practical elements for the future! We met up, discussed and had a really interesting conversation which touched on so many different topics, but primarily focused on both of our interest in the gym; the culture, the colours, the ‘uniform’ if you will, the mindsets, the stereotypes and this will form the basis of a future collaboration.  It was really inspiring to talk to someone so enthusiastic and interesting and who shared so many of my views. It is moments like this where I could not be more happy to be making the kind of art that I do and feeding off the energy of the places and people.

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Kathryn Harker

I will be incredibly sad to leave Newcastle behind but saying goodbye to studio life I think is going to be the hardest aspect of my farewell. Seeing the diversity of Northumbria’s Degree Show really made me realise this. Going from seeing all the experimentation among my peers on a daily basis, to making art without this strong sense of community, is going to be a strange sensation. I will just have to find myself a new unit in which to make my art! Yet I love the fact that in the studios here I’d have no real idea of what someone’s work consisted of and then I’d walk into a project space where they’re experimenting one day to total surprises. I love the fact that people work with things I myself would never even consider, such as camera obscuras and natural light. In saying this I am referring to Kathryn Harker’s technical photography and the way in which she has transformed a space into an experience through her manipulation of light (above). Depending on the time of day you go, your experience of the piece will be entirely different and I think this ephemeral quality is incredibly appealing. As is the beauty of the light that is captured, it feels so delicate and fragile, especially given that you know it’s going to inevitably shift and flutter away at any given moment.

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Paul Barron

Ephemeral qualities of course apply to Performance Art and it’s strange to think today is my last performance as a student of Northumbria University. After two weeks of the Degree Show being open to the public, it is now time to take it all down, de-install and start a new chapter in our lives. It will be sad to see the studios gradually return to their summer state of emptiness. Seeing installations coming down and the skip filling up. I feel in a sense that people will be dismantling parts of themselves, as the more our practices have evolved and the more work we produced throughout our time here, the more we ourselves have became apparent in our work. People’s characteristics, interests and issues, all became more evident through the artwork, through the statements of intent and through the way in which it was all displayed. Each decision was a reflection of the person, of the way in which they considered their work, in many cases it was a physical extension of themselves.

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Dale Harmer

I think this is what I find most beautiful about art. I have lived and breathed it since childhood, always drawing after school , carrying pencils in my bag and doodling expansive patterns and flowers across my hands (much to my mother’s discontent!) So I can’t imagine life without it and I will never have to. But I think being on this course has been the creative journey that I’d always imagined, it has been the challenge that I needed to push myself into realms previously unexplored. And I think it’s safe to say anyone would say the same; fellow students would probably never have expected certain things of themselves and I think that’s amazing. To realise a new medium or technique or discover a new artist who transforms your way of thinking. When you dedicate three years of your life to making art, you become so immersed in it that personally at least I feel my life will never be the same again.

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Marcus Wheeler

And I could not be more excited by that fact. I have a whole new way of thinking and seeing artwork. I have met so many different people, learnt so much and am eager to learn even more. Although today marks the end of the show, it also marks the start of so many other things. Thank you Northumbria, it’s been a pleasure!

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Woon Prize Nominee Hannah Barker

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Tyler Coop

I can remember being in my first year of uni and looking up to the third years thinking it was impossible that one day I would be putting on a show. I’ve always kind of felt that when I looked up to older students even at school; I remember wondering how people sat exams, how people traveled by themselves, how people had the confidence to drive cars, etc etc. All these thoughts feel silly and irrelevant now looking back, because of course you learn and grow and change. I didn’t realise however quite how much an art course would change me. I never imagined I would go down the route of performance art, if anything I’ve always been someone who shied away from the stage and was instead content painting background scenery and doing backstage make-up. Yet during the time on this course I have experimented with mediums I never planned to work with such as sculpture, print, photography, video, projection, all sorts. I’ve really pushed the boat out in ways I never imagined or expected.

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Woon Prize Nominee Sheyda Porter 

I think that’s what’s so wonderful about embarking on a course as practical and creative as this. Not only are you exploring your artistic potentials, but you are also exploring the tools which allow you to realise your ideas. You’re learning so much theory too, with all the seminars, Art History lectures  and of course extensive research and reading meaning my knowledge of the artworld has grown so much. As has my coffee table collection of artist books which are now looking to require a bookshelf…

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Saman Ahmadzadeh

That’s partially the exciting thing however, the fact that my bookshelf keeps expanding. The fact that despite finishing this course, I am nowhere near finished. There’s so much more to explore, there’s so much more to experiment with. Despite all of the nostalgia I am currently feeling, I am also feeling incredibly inspired. Seeing everybody’s work come together in this way is amazing not only because there are some incredibly strong and thought-provoking works, but also because we have witnessed one another’s artistic journeys. We’ve seen experiments in the studio go horribly wrong, or moments where tubes of purple paint explode everywhere (yes, it had to be all over me), moments where you walk into the studio to find your studio floor has been taken over by glitter, glue and sprinkles (I have the best studio pal – we are the messiest bunch together and it’s been great!)

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Rebecca Gavigan & Victoria McDermott

So seeing everything reduced to this clean cut and perfectly executed Show is almost overwhelming. I suppose it must be kind of like being a director and finally watching your own Broadway Show. You’ve had moments where everyone is yelling backstage, costume changes haven’t worked, scripts haven’t been learnt, people are stressing and scrabbling around. Yet on the night it all flows smoothly and could not be more perfect. And in that moment you have a feeling of pride in how it has all came together, in how the stress and tears of backstage have dissolved as the characters dominate the stage. I suppose it’s kind of like that, just instead of one director, there are seventy-eight emerging artists.

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Joseph Crookall

Seventy-eight of us whose work could not differ more greatly from the other. I will always remember local artist Narbi Price saying in one of his talks at Vane Gallery, that the more artwork that is made, the more there is a burden on artists to come. This has stuck with me because it is so very true. A lot of people dispel history and say it’s in the past, it doesn’t matter. Yet in being an artist and making artwork it is absolutely critical you know your history, you have to be so aware of what came before you. I have found this particularly vital in looking at the female body in Performance Art, because the 1960s really shaped a lot of things today in that realm and no one can ignore that. So when Narbi said that, it really hit home and seeing such a broad range of work in the Degree Show alone, it’s resonating with me more than ever and making me excited to push things even further.

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Alexandra Karyn

Northumbria University Degree Show 2016

 

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Jack Davison

It’s degree show season at the moment which is why I have been so absent from this blog. It’s nice to finally sit back and be able to enjoy the artwork without the stress of deadline, rushing around like a madwoman and having to juggle so many things. Today marks the start of the final week of Northumbria University’s Fine Art Degree show. It’s open daily 10-5pm so get yourself down here if you fancy a look! I’m exhibiting in a curated environment along with seven other students in Gallery North and at the time of putting all of this together I was also organising and coordinating the degree show catalogue that goes alongside the show (hence my prolonged absence from the blog!) Thankfully I had a brilliant team to work with in putting this publication together, however it was a lot of hard work to say the least and it has taught me a lot about time management! I’ve learnt a gained so much from the editing process and putting things to print so it’s been a fantastic (but at times) stressful experience. As has putting together a curated show. I have never experienced anything like this before, so it was really interesting to work so closely with others whose work differed so greatly from my own.

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Kat Bevan

Putting together a Degree Show is even more work than you imagine; there are so many tiny things that pile up and make all the difference, I couldn’t believe it! My to do list at the time was just endless and expanding constantly, especially with all of the work that was going into the catalogue. As a course we were all so busy during the preparation period that none of us had any time to see each other’s work in advance, so preview night last week had the most amazing atmosphere as everything was revealed. Instead of being all rugged in studio and paint splattered clothes, everyone was dressed up beautifully and we all finally had the chance to see each others’ work!

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Alan Barrett & David Graham

I must say I am proud to be a part of this show. There are so many incredibly works on display and the diversity of it all just amazes me. I was fortunate to have an insight into a lot of people’s practice prior to the show given the amount of text editing I was doing for the catalogue, so it was particularly rewarding to see it all in person on the night. Even still I was not prepared for the level of professionalism, the attention students had paid to the smallest of details and like I said the range of work. There was everything you could imagine and beyond present; performances, glitch based videos, fully immersive installations, workshops, digital art and green screen, unconventional painting displays, you name it, it was all there!

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Jenny Wheatley

I think  a lot of us were nervous for the preview and opening to the public, but on preview night I feel every student let go of any of those feelings and instead just felt relief and delight. It really was an incredible moment to see everyone come together after all their hard work and I think the show really does reflect the efforts that have gone into it. The pieces are full of so much energy; walking into Jack Davison’s installation with it’s  bombardment of pink and heavy club music is instantly absorbing. As a viewer you feel transported from the University corridors you had just left into an erotic jungle of disco balls and plush pink velvet. Being in a studio with Jenny Wheatley for two years now has been amazing, as I’ve seen her practice grow and adapt on a first hand basis – I’ve seen the tiniest of changes day to day. So when this year she started deconstructing the materials incorporated in painting and playing about with jars filled to the brim with paint, I was incredibly excited to see how her work would evolve for the show. The end result is an expansion of bold beautiful colours which cascade from wall to floor with a scattering of paint filled jars littered across the canvas.

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Jordan Boyle

I think that what the most exciting aspect of the show; seeing three years worth of people’s work come together in this environment. It’s incredibly strange having submitted and now being finished, I feel almost numb at the thought of it all coming to an end.  Not that it’s really coming to an end, I will never ever stop making art – for me that would be like stopping breathing! Studio life however is over for the time being. One day I will hopefully be able to afford one again, but I will be sad to say goodbye to such a creative environment. Coming in every day and making work alongside people, having them tell you when it’s rubbish or when it’s worth it, pushing your practice into realms you never expected, utilising all the facilities, it’s an experience I will never forget and I am so incredibly grateful for.

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Daniel Mupungu

Walking round the show you can see that people have made the most of these aspects; students have pushed the boundaries of what art is and what it can be. Yet students have also furthered aspects such as the studio aesthetic. That fully immersive feeling of making and the tactility that comes with it. A prime example of this would be Alice O’Hagen’s stunning work, I am so drawn in by the way in which she has captured the trace of touch and human gesture within the materials. I love the way in which she plays with softer elements which manifest in the form of duvets and evoke a strong sense of comfort, against more solid plaster and clay-based materials. Then there’s fact it is all more ceiling as opposed to floor based which personally I find incredibly compelling, given it plays on the conventions of sculpture and it’s almost like an Alice In Wonderland topsy-turvy environment.

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Alice O’Hagen

I think one of the reasons Alice’s work appealed to me so much was not only because I felt wrapped up by it and could imagine every movement in its making, but also because I almost long for that immersive sense of making again. Having worked predominantly with performance this year, I am ready to take a break from it and go back to painting for the next while. That is not to say I am giving up performance, I don’t think you ever give anyartform up, but you have to do what feels right at the time. Given that I have been performing live for both assessment, the preview and throughout the duration of the show, I have found it can be quite draining both emotionally and also physically (especially given my performance requires me binding myself up in 24 metres of ribbon! Quite restricting to my breathing let’s just say…) So for now I’m happy to take a break from it and instead bury myself in a pile of artbooks and sketchbooks as I start doodling and painting away with my watery inks. After all this hard work, it’s time to take it easy and enjoy the show!

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Marina Collinson