It’s degree show season at the moment which is why I have been so absent from this blog. It’s nice to finally sit back and be able to enjoy the artwork without the stress of deadline, rushing around like a madwoman and having to juggle so many things. Today marks the start of the final week of Northumbria University’s Fine Art Degree show. It’s open daily 10-5pm so get yourself down here if you fancy a look! I’m exhibiting in a curated environment along with seven other students in Gallery North and at the time of putting all of this together I was also organising and coordinating the degree show catalogue that goes alongside the show (hence my prolonged absence from the blog!) Thankfully I had a brilliant team to work with in putting this publication together, however it was a lot of hard work to say the least and it has taught me a lot about time management! I’ve learnt a gained so much from the editing process and putting things to print so it’s been a fantastic (but at times) stressful experience. As has putting together a curated show. I have never experienced anything like this before, so it was really interesting to work so closely with others whose work differed so greatly from my own.
Putting together a Degree Show is even more work than you imagine; there are so many tiny things that pile up and make all the difference, I couldn’t believe it! My to do list at the time was just endless and expanding constantly, especially with all of the work that was going into the catalogue. As a course we were all so busy during the preparation period that none of us had any time to see each other’s work in advance, so preview night last week had the most amazing atmosphere as everything was revealed. Instead of being all rugged in studio and paint splattered clothes, everyone was dressed up beautifully and we all finally had the chance to see each others’ work!
Alan Barrett & David Graham
I must say I am proud to be a part of this show. There are so many incredibly works on display and the diversity of it all just amazes me. I was fortunate to have an insight into a lot of people’s practice prior to the show given the amount of text editing I was doing for the catalogue, so it was particularly rewarding to see it all in person on the night. Even still I was not prepared for the level of professionalism, the attention students had paid to the smallest of details and like I said the range of work. There was everything you could imagine and beyond present; performances, glitch based videos, fully immersive installations, workshops, digital art and green screen, unconventional painting displays, you name it, it was all there!
I think a lot of us were nervous for the preview and opening to the public, but on preview night I feel every student let go of any of those feelings and instead just felt relief and delight. It really was an incredible moment to see everyone come together after all their hard work and I think the show really does reflect the efforts that have gone into it. The pieces are full of so much energy; walking into Jack Davison’s installation with it’s bombardment of pink and heavy club music is instantly absorbing. As a viewer you feel transported from the University corridors you had just left into an erotic jungle of disco balls and plush pink velvet. Being in a studio with Jenny Wheatley for two years now has been amazing, as I’ve seen her practice grow and adapt on a first hand basis – I’ve seen the tiniest of changes day to day. So when this year she started deconstructing the materials incorporated in painting and playing about with jars filled to the brim with paint, I was incredibly excited to see how her work would evolve for the show. The end result is an expansion of bold beautiful colours which cascade from wall to floor with a scattering of paint filled jars littered across the canvas.
I think that what the most exciting aspect of the show; seeing three years worth of people’s work come together in this environment. It’s incredibly strange having submitted and now being finished, I feel almost numb at the thought of it all coming to an end. Not that it’s really coming to an end, I will never ever stop making art – for me that would be like stopping breathing! Studio life however is over for the time being. One day I will hopefully be able to afford one again, but I will be sad to say goodbye to such a creative environment. Coming in every day and making work alongside people, having them tell you when it’s rubbish or when it’s worth it, pushing your practice into realms you never expected, utilising all the facilities, it’s an experience I will never forget and I am so incredibly grateful for.
Walking round the show you can see that people have made the most of these aspects; students have pushed the boundaries of what art is and what it can be. Yet students have also furthered aspects such as the studio aesthetic. That fully immersive feeling of making and the tactility that comes with it. A prime example of this would be Alice O’Hagen’s stunning work, I am so drawn in by the way in which she has captured the trace of touch and human gesture within the materials. I love the way in which she plays with softer elements which manifest in the form of duvets and evoke a strong sense of comfort, against more solid plaster and clay-based materials. Then there’s fact it is all more ceiling as opposed to floor based which personally I find incredibly compelling, given it plays on the conventions of sculpture and it’s almost like an Alice In Wonderland topsy-turvy environment.
I think one of the reasons Alice’s work appealed to me so much was not only because I felt wrapped up by it and could imagine every movement in its making, but also because I almost long for that immersive sense of making again. Having worked predominantly with performance this year, I am ready to take a break from it and go back to painting for the next while. That is not to say I am giving up performance, I don’t think you ever give anyartform up, but you have to do what feels right at the time. Given that I have been performing live for both assessment, the preview and throughout the duration of the show, I have found it can be quite draining both emotionally and also physically (especially given my performance requires me binding myself up in 24 metres of ribbon! Quite restricting to my breathing let’s just say…) So for now I’m happy to take a break from it and instead bury myself in a pile of artbooks and sketchbooks as I start doodling and painting away with my watery inks. After all this hard work, it’s time to take it easy and enjoy the show!