Sensual Materials

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I have this absolute nightmare of my tights ALWAYS getting holes in them. It drives me nuts; my toes peep out, the ladders run up the back of my leg, I don’t think I own a single perfect pair of tights! So being an artsy creative person I of course think of new ways to use them when they’re on their way out, otherwise there are far too many tights going to waste!  When I did these shots, I’d recently been using cling film to cover and wrap my body in. So these photographs were kind of an extension of that experiment. Of course, wrapping your body in cling film holds very different connotations from interacting with fragile tights. 

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I was quite pleased with how these photographs turned out. They are completely unedited, I just used a desk lamp directed at a very certain angle to get these colour shades. Normally putting something over your head is claustrophobic and uncomfortable, but given the transparency and delicacy of the tights there were no problems at all. It was more exciting trying to develop a relationship with the material and mould it into interesting shapes that worked both within the frame of the photograph and in relation to my body. I had a tripod set up to take these, so it was all very trial and error; I only got three good photographs out of all the ones I took. That happens most of the time with photography though and the shapes I did manage to create here complemented the warm hues of the lighting. 

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Despite the lack of editing, the colours came out really well; they shift between pale pastel yellows and orange-tinted pinks. I was also really happy with the blend of focuses; the fixed outline of certain areas such as the head in the photo above, against softer and more ambiguous outlines as in the case of my fingers in the above. Out of all components of my torso, I think my hands looked the most interesting encased in the tights, as the fingers are usually so mobile and free to use that is was strange to see them restricted. Yet the conflict present within the restriction is interesting as the hands are encased by the most fragile material and have the ability to break free at any moment. This potential is most evident in the middle picture where my fingers are most pronounced. I also think this potential is evident in the blend of static and movement. Although I am holding still and posing for the camera, there is so much movement in the light and the material which provides an interesting contrast to the overall result. I think these aspects are why these photographs are successful to me; I’ve taken a simple everyday material and tried to adapt it into something entirely new. 

Body Poses

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It’s amazing when you stop and think about the body; when you register the fact all of your movements are controlled by tiny little messages sent along your nerves and synapses, allowing you to move instinctively without thinking. Transmitting instructions that allow your body to function. These days we are so preoccupied with image, diet, building artificial muscle, losing weight, gaining weight that we forget to think about our core components; the things that actually matter. How our muscles stretch as we bend our arms, how the skin moves with your joints, how our bones click and slot into place as we sit down, how we blink to keep the dust out, how we breathe as our pulse rate changes. All of these small little details are so crucial to everyday life, yet how often do we stop and think about them? How often do we take it all for granted? How often do we truly contemplate the wonders that are our bodies? 

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I have very bad knees, so I am constantly aware of the clicks and the shoots of pain. Yet in a weird way I am grateful to this pain. It forces me to slow down to reduce impact on the kneecap, or stop shin splints. Often I can feel my knee caps clicking and sliding over each other like a machine. I am so aware of these faults in my body that I can’t help become aware of everything else. This is why I love the gym so much, as I enter that space it allows me to open up a direct dialogue with my body. In the gym my actions are entirely dictated by the balance of mind and body; how far can I push certain muscles? How long can I do certain weights? How long should I spend stretching? It is almost as if I go deeper into myself in these moments as the mind dissolves and becomes one with the body. 

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Balance and endurance are core components of my workouts. There’s the will to stop verses the will to continue. As well as being good for fitness and strength, I believe the gym is also very good for the mind. Going on a regular basis takes commitment; continuing on a machine for a certain amount of time takes willpower. It is all a discipline in which the mind and body are intrinsically wrapped up in each other. I often find it difficult to get this across to people, as everyone has their own reasons for gyming, or some people I know don’t gym at all. Investigating my feelings further in my artwork is helping me to better articulate myself. I feel these images and their poses are highly effective in highlighting a lot of how I feel about exercise and its necessity for me in daily life.