Berlin Berger Style

Recently I have been reading the art critic John Berger’s two books ‘Ways of Seeing‘ and ‘About Looking‘. Both are truly inspiring reads; Berger’s insights highlight things you think or notice on a subconscious level, but had never fully come to realise yourself. He is like the stepping stone to realization. He draws out your way of thinking and forces you into a mode of questioning that can be applied to everything from that point onwards. ‘Ways of Seeing’ was particularly eye-opening for me; the way in which I read paintings, their composition and their form has forever changed for me following these two poignant books.

What I particularly liked about ‘Ways of Seeing’ was it’s composition; it is split into concise sections which are well structured and coherent in their point. Yet between each of these sections is a visual essay, an essay composed entirely of images. This was unlike anything I have ever seen before. Each visual essay acted as an introduction to the subsequent written essay. This forces you to try and decipher the images themselves in isolation from the written word, before having Berger go on to elaborate their context in the next chapter. I thought this was an incredibly interesting way of conveying an idea and I was delighted when I was able to comprehend most of the visual essays. Recently I have been drawn more to visuals than writing, particularly with all of the interesting content I follow on Instagram in the form of various galleries and art collectives. So reading the Berger books and discovering the visual essay came at the perfect time for me. In Berlin I was looking, sketching and trying to capture what I saw. I needed a more instant way of absorbing the city which writing did not quite satisfy and so visuals became my supplement tool. Following all of this visual inspiration, I thought I would have a go at compiling a visual essay/visual summary myself of our time in Berlin and how I saw and perceive the city.

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Photo credits also to Jamie Strathearn.

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